We arrived way too early
for the Nutty Brown concert. So, we hung out with parking lot attendants, bugs
and employees hanging four, no five, no four “No Re-entry” signs.
We stood. We sat. We drew
circles in the dirt. My son wrote his name in cursive lined with rocks, sticks
and shrubs. This was my son's first concert.
We look back and we are
first in line. We MADE the line. We talked with the first new couple to join us. The friendly man offered my son an orange Tic Tac. The man's wife and I talked about concerts
we’ve attended before. She said she was friends with Hayes Carll’s wife.
We walked in and I immediately
found the first grassy area before the concrete splashpad with “stand only” room.
We got to watch bands set up for themselves, no roadies here, and wild music
notes and voices warm up.
We were also first in line
for food. The teen-face employee was confused. She couldn't add quick enough, and
there were no pictures on the cash register. So she had to ask again what I
ordered. The burger is $5. The chicken is $6 and the drinks are $2. I added it up for her, and I helped her with the change out of $20. We got
to our seats to find that the order was wrong, but whatever. I was just glad
I’m wasn't the fifth person in her line.
The first band Wink Burcham was a country kind of
band. They had a nice style. They
connected with the audience by talking without much hype and announced they would be around to “visit” after the show.
The next band was The Digital
Wild. This was a band composed of a Dolores-Cranberries-kind-of lead singer voice, a
man with falsetto tones, a drummer, and a Mac computer. This was Africa. This was club music. And, this was everything in between.
And, the JOY in the lead singer’s eyes- -wow. Chantell
Moody did this little Martha Graham dance.
Sometimes it was like she was all alone at the stage, and sometimes, it was like there was no stage.
She smiled brightly at the children dancing with her. And when she sang, “Raise your hands up!" her smile was contagious.
Sometimes it was like she was all alone at the stage, and sometimes, it was like there was no stage.
She smiled brightly at the children dancing with her. And when she sang, “Raise your hands up!" her smile was contagious.
The music fan neighbor and I were so
enthralled in this woman’s joy that we had to research her. Various
styles of music all came together as if they were never apart.
Moody was the first to
recognize the vets in the audience, wished us a happy Fourth and said Bob was on
his way in.
Bob entered with Fourth of July joy. He said, “It’s
the Fourth. We won!”
With the multi-talented
Ollie away for the holiday, the band made some changes. Bob played a little more piano and back with
the band, was Jon Sanchez, and man did he jam the stage. Wow, he’s talented.
I noticed certain songs like
Let the Light In were not played. And songs when Ollie’s trumpet usually was the icing, these songs were highlighted in
guitar lace.
And, in songs like Cheaper, when Ollie's usually the “Heave ho” vocal bomb alongside Bruce, it felt like something was missing. I missed the pop and lock dancing goggle-mania creative stardust he brings on the stage.
And, in songs like Cheaper, when Ollie's usually the “Heave ho” vocal bomb alongside Bruce, it felt like something was missing. I missed the pop and lock dancing goggle-mania creative stardust he brings on the stage.
Bob was the best I’ve ever
seen him. He had this smile on his face. He took some time to
talk about some of his newer songs.
My new favorite
Bob song is something like “It’s Easy to do with you…” And, it’s this ballad
with crazy cool sweet words. And, last night, he told the story.
He said he’s married. And
it’s “the last time.” And he said, “Fifth time’s a charm.” He said he realized
after his daughter's birth, he’d written too many songs about whores. He wrote a
song inspired by his new daughter.
Realizing he might be getting
too sentimental, he laughed and said, ‘It’s about baby horses” with a smirk.
Audiences didn’t know if he was being serious or not. They laughed and cheered “ahhhh.”
He said “No. That’s not what
it’s about.”
I always thought the song was about finding a new love
that felt like it was a thousand years old- -like all along it was just
supposed to be, easy. And, it turns out it’s even deeper.
Bob played his usual popular
hits, mixing it up with fast songs, and wild creative-what-did-he-say-lyrics.
I found myself laughing at
times at the comedy he weaved into his stories. And, then, I was appreciating a lyric like it’s a song that just said what I wanted to say, but I
couldn’t find the words.
Bob played a bunch
of his cheerful songs. I was a
little disappointed that he didn’t play a ton from his newest album, but he did
sing King Kong, which was brave
because it’s a quiet song and by that time in the show, not everyone in the
audience wanted quiet and thoughtful.
He did surprise me by playing Dirty Feeling. He introduced it in a fun and humorous way. He said with a kid smile. “This is for the ladies . . . or maybe the men out there. . . .”
Dirty Feeling is a love song with these banged up
lyrics. The words are, “Well, a year can come around. Drag you right along the ground. Like
it’s all just one dark night. With no way into the light. Well, I know, exactly what
that’s like…” With the dong dong dong bells, it just works. It captures the sentiment of brave hope.
A sweet moment of surprise came when Conrad handed three
drumsticks to the kiddos in the audience before the show. I watched my son examine the splitting
sticks. He had a big grin on his face. The
children danced around as if he had given them cotton candy.
The circle of four audience
members connected with the band smiled and told my son,
“That’s a big deal. He’s an amazing drummer. He’s one of the best”
Michael was 9. And, he had been playing the guitar for a year. He was actually pretty good. His teacher
said he needed to be exposed to live music. So, I thought his first concert
should be something special. So, I took him to see Bob.
Throughout the evening, it
got a little later than his bed time. But, fireworks and music seemed to keep us
both pretty happy.
My son's funny because he’s not easily impressed. He doesn’t say
something is good if it is not. He won’t even try to be polite.
It took Michael a bit to see and
understand all that made this stage special.
Then, a little stardust fell from the stage. Bob made eye contact with my young musician and started making funny faces. Bob went
into more of his funny characters.
And, the band was in Bob’s Oz again and music magic like cheese wiz was stringing creative confetti everywhere. It’s like we were all riding on a plane- -Bob’s plane.
And, the band was in Bob’s Oz again and music magic like cheese wiz was stringing creative confetti everywhere. It’s like we were all riding on a plane- -Bob’s plane.
Then, finally, my son
smiled. He laughed. He gave this crooked look and rolled his eyes.
The last song played and
somehow from out of nowhere, Bob had one more guitar pick. He tossed it to my
son. And it fell just short of the barrier fence.
Some of the adults reached for it. My son didn't wait for me to help. He screamed loudly, “That’s MINE!”
Some of the adults reached for it. My son didn't wait for me to help. He screamed loudly, “That’s MINE!”
Michael's guitar teacher actually gave him a
Bob pick. But, it wasn’t until this moment at this concert that he realized how cool the pick was.
The band played two encore songs and left. The standing- only space quickly evaporated.
I looked up and Conrad was on
the drums clearing the stage. And, I was
wanting to tell Bob thank you, but realized, this was the same thing.
I waved, I told Conrad “Thank you.” And, he remembered the kid he gave the drumstick to and nodded.
I waved, I told Conrad “Thank you.” And, he remembered the kid he gave the drumstick to and nodded.
We got home. I tucked my son
into bed. He
couldn't stop smiling.
And, a week later, he had his best guitar music lesson ever.
And, his teacher said with a huge grin and unforgettable joy, “He’s turned a corner. My son inspired him!!!”